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Titian
Tiziano Vecelli or Tiziano Vecellio ( 1488/1490〔See below; c. 1488/1490 is generally accepted despite claims in his lifetime that he was older, (Getty Union Artist Name List ) and (Metropolitan Museum of Art timeline, retrieved 11 February 2009 ) both use c. 1488. See discussion of the issue below and at (When Was Titian Born? ), which sets out the evidence, and supports 1477—an unusual view today. Gould (pp. 264–66) also sets out much of the evidence without coming to a conclusion. Charles Hope in Jaffé (p. 11) also discusses the issue, favoring a date "in or just before 1490" as opposed to the much earlier dates, as does Penny (p. 201) "probably in 1490 or a little earlier". The question has become caught up in the still controversial division of works between Giorgione and the young Titian.〕 – 27 August 1576), known in English as Titian (), was an Italian painter, the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno (in Veneto, Republic of Venice). During his lifetime he was often called ''da Cadore'', taken from the place of his birth.
Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the famous final line of Dante's ''Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of color, would exercise a profound influence not only on painters of the Italian Renaissance, but on future generations of Western art.〔Fossi, Gloria, ''Italian Art: Painting, Sculpture, Architecture from the Origins to the Present Day'', p. 194. Giunti, 2000. ISBN 88-09-01771-4〕
During the course of his long life, Titian's artistic manner changed drastically〔The contours in early works may be described as "crisp and clear", while of his late methods it was said that "he painted more with his fingers than his brushes." Dunkerton, Jill, et al., ''Dürer to Veronese: Sixteenth-Century Painting in the National Gallery'', pp. 281–286. Yale University, National Gallery Publications, 1999. ISBN 0-300-07220-1〕 but he retained a lifelong interest in color. Although his mature works may not contain the vivid, luminous tints of his early pieces, their loose brushwork and subtlety of tone are without precedent in the history of Western painting. He was noted for his mastery of colour.
==Biography==
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